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Líneas de investigación y publicaciones asociadas

7. Literaturas anglófonas

  • Aarons, V. y Sánchez-Canales, G. (eds.) (2016): Saul Bellow as a Novelist of Ideas: A Forum. Partial Answers 14.1 (2016). Avalaible here.
  • Sánchez-Canales, G. (2017): “Bellow's Cityscapes: Chicago and New York”, in Victoria Aarons (ed.): A Cambridge Companion to Saul Bellow. Cambridge: CUP, 43-54.
  • Aarons, V. y Sánchez-Canales, G. (eds.) (2016): Bernard Malamud: A Centennial Tribute. Detroit, IL: Wayne State UP.
  • Sánchez-Canales, G. (2016): “European Voices: An Introduction” and “What’s in a Name?”: Aptronyms and Archetypes in Bernard Malamud’s The Assistant and The Fixer”, in Victoria Aarons & Gustavo Sánchez-Canales (eds.): Bernard Malamud: A Centennial Tribute. Detroit, IL: Wayne State UP, 2016. 109-115; 135-150.
  • Sánchez-Canales, G. (2016): “Recover the world that is buried under the debris of false description”: The Influence of Romantic Poetry on Saul Bellow’s Dean’s December” in Gustavo Sánchez-Canales & Victoria Aarons (eds.): Saul Bellow as a Novelist of Ideas: A Forum. Partial Answers 14.1 (141-158). Available here.
  • Sánchez Canales, G. (2014). European Literary Tradition in Roth’s Kepesh Trilogy. In G. Sáncvhez-Canales & V. Aarons (Eds.), History, Memory, and the Making of Character in Roth's Fiction (A Thematic Issue). CLCWeb: Comparative Literature and Culture 16(2). http://docs.lib.purdue.edu/clcweb/vol16/iss2/8.
  • Sánchez Canales, G. (2014). A Selected Bibliography for Roth’s Works. CLCWeb: Comparative Literature and Culture 16(2). http://docs.lib.purdue.edu/clcweb/vol16/iss2/14
  • Sánchez Canales, G. (2014). Classical Greek Archetypes in Philip Roth’s American Pastoral and The Human Stain. Cercles 33, 23-33. http://www.cercles.com/n33/sanchez-canales.pdf
  • Sánchez Canales, G. (2014). Within a Year My Passion Will Be Dead. In V. D. Ivanova (Ed.), Philip Roth and World Literature: Transatlantic Perspectives and Uneasy Passages (pp. 125-140). London: Cambria University Press. http://www.cambriapress.com/camber.cfm?bookid=9781604978575
  • Sánchez Canales, G. (2013). A Tale of Two Cities: A Comparative Analysis Between James Joyce's Dublin and Saul Bellow's Chicago. Saul Bellow Journal 26(1-2), 127-151. http://connection.ebscohost.com/c/articles/86433812/tale-two-cities-comparative-analysis-james-joyces-dublin-saul-bellows-chicago
  • Sánchez Canales, G. (2013). He Is Basically a Decent Man: Some Notes on the Historical Background of Aleksandar Hemon's The Lazarus Project. The International Journal of the Humanities: Annual Review 10. http://h12.cgpublisher.com/proposals/772/index_html
  • Sánchez Canales, G. (2013). Lectura para Personas de Amplio Criterio: Censorship in the Translations of Philip Roth's Portnoy's Complaint and The Professor of Desire. Partial Answers: Journal of Literature and the History of Ideas 11(2), 279-291. http://partialanswers.huji.ac.il/authors.asp?id=223
  • Sánchez Canales, G. (2013). Holocaust Imagery in Michael Chabon's The Final Solution. Americana: E-Journal of American Studies in Hungary 9(1). http://americanaejournal.hu/vol9no1/sanchez-canales
  • Bados Ciria, C. (2013). El testimonio como afirmación de identidades femeninas en la frontera de México y EE. UU: Cuéntame algo, aunque sea una mentira. En R. Behar (Ed.), Mujeres en la Frontera, (pp. 353-370). Madrid: UNED, Serie Literatura y mujer. Siglos XX y XXI.
  • Sánchez Canales, G. (2012). Bellow’s Letters and Biographies about Bellow: A Book Review Article of New Work by Atlas and Taylor. CLCWeb: Comparative Literature and Culture 13(4). http://docs.lib.purdue.edu/clcweb/vol14/iss1/14
  • Sánchez Canales, G. (2012). The Answer a Philosopher Gives Determines the Entire Shape of his Metaphysics: The Influence of Plato and Descartes on Rebecca Goldstein's The Mind-Body Problem. Alicante Journal of English Studies 25, 401-412. http://rua.ua.es/dspace/bitstream/10045/27468/1/RAEI_25_27.pdf
  • Sánchez Canales, G. (2011). Prisoners Gradually Came to Buddhist Positions: The Presence of PTSD Symptoms in Rosa in Cynthia Ozick’s The Shawl. Studies in American Jewish Literature 30, 29-39.
  • Sánchez Canales, G. (2011). There Is a Bomb Blast in the Most Elegant Greek Revival House: Classical Motifs in Philip Roth’s American Pastoral. In V. D. Ivanova (Ed.), Reading Philip Roth’s American Pastoral (pp. 205-217). Toulouse: Presses Universitaires du Mirail.
  • Sánchez Canales, G. (2011). I Look at the Filthy Floor and See Myself Sweeping It: The Influence of Franz Kafka’s Surreal World on Philip Roth’s The Professor of Desire and The Prague Orgy. In I. Dobosiewicz & J. Gutorow (Eds.), The Dream: Readings in English and American Literature and Culture, (pp. 199-215). Uniwersytet Opolski.
  • Sánchez Canales, G. (2011). In a Different World, We Could Have Been Real Friends: Two Opposite Approaches to the Problem of Holocaust in Jonathan Safran Foer’s Everything Is Illuminated. In T. Basiuk, S. Kuźma-Markowska y K. Mazur (Eds.), The American Uses of History: Essays on Public Memory, (pp. 255-266). Frankfurt am Main: Peter Verlag.
  • Sánchez Canales, G. (2011). Biblical Archetypes in Allegra Goodman’s The Family Markowitz and Kaaterskill Falls. Icfai Journal of American Literature 3(4), 51-73.
  • Sánchez Canales, G. (2010). The significance of Martin Buber's philosophy of dialogue and suffering in the overcoming of 'core-to-core confrontation' in Chaim Potok's The Chosen. Estudios Ingleses de la Universidad Complutense 18, 53-65.
  • Sánchez Canales, G. (2009). The Classical World and Modern Academia in Philip Roth's The Human Stain. Philip Roth Studies 5(1), 111-128.
  • Sánchez Canales, G. (2008). A Man's Road Back to Himself Is a Return from His Spiritual Exile: Platonic Influences in Saul Bellow's The Actual. The Icfai University Journal of American Literature 1, 60-66.
  • Bados Ciria, C. (2008). Fundamentos de los feminismos literarios angloamericanos. En M. J. Porro Herrera y B. Sánchez Dueñas (Coords.), Análisis feministas de la literatura. De las teorías a las prácticas literarias, (pp. 63-79). Córdoba: Publicaciones de la Universidad de Córdoba.
  • Bados Ciria, C. (2007). Chicano/a Theater: Representing and Performing Women in Mexican-American Families. En C. Flys & M.A. Lee (Eds.), Family Reflections.The Contemporary American Family in the Arts, (pp. 305-321). Alcalá de Henares: Universidad de Alcalá.
  • Sánchez Canales, G. (2006). Bernard Malamud's Russian Background in The Fixer. Mundo Eslavo 5, 55-62.

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